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Adam Kent

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Kent has performed as a recitalist, soloist with orchestra, and in chamber music throughout the United States, Spain, Switzerland, and South America. Committed to innovative programming, Kent has offered a recital of works by immigrant composers to the U.S. at the Museum of Modern Art in NYC, an all-American program for Performing Arts of Litchfield CT, and several all-Spanish programs at Merkin Hall, the Indianapolis Museum of Art, and Bruno Walter Auditorium. Ken has lectured on the piano works of Federico Mompou and presented a solo recital in conjunction with the NY Library for the Performing Art's exhibition on Ernesto Halffter. A performance of Book I of Albeniz' Iberia suite was praised in the Indianapolis Star as "Albenizian to the core...his suave legato touch wedded to a tone with an Old World patina about it."

Kent made his New York recital debut at Weill Hall in 1989. His orchestral appearances have been performances with the Juilliard Symphony at Alice Tully Hall, and the Indianapolis Symphony Orchestra. Chamber music has been an important part of Ken's concert life, most recently with the Damocles Trio which he co-founded in 1996 with violinist Airi Yoshioka and cellist Sibylle Johner. The group has performed throughout the NY area including several appearances at Alice Tully Hall, and completed an eight city tour of Switzerland in February, 1999. Other recent appearances have included a recital at Carnegie Hall with violinist Gerald Beal and a solo recital at the Library of Congress in Washington DC.

Winner of the American Pianists Association fellowship and Simone Belsky Music Awards, Kent also received top prizes in the Thomas Richner, the Juilliard Concerto, and the Kosciuszko Foundation Chopin Competitions. He is in addition a recipient of the Arthur Rubinstein Prize and the Harold Bauer Award.

Kent received his D.M.A. from The Juilliard School, where he studied with Jerome Lowenthal and was recently engaged as an adjunct professor. His dissertation, "The Use of Catalan Folk Materials in the Works of Federico Mompou and Joaquin Nin-Culmell" was awarded the school's Richard F. French Prize. He holds B.M. and M.M. degrees from the Manhattan School of Music, where he studied with Solomon Mikowsky. In addition, he is on the faculty of the Manhattan School of Music Preparatory Division and has taught a course of the history of Western Art Music at Iona College.


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